About the unit: Six riders and seven draft horses (two Belgians, two Shires, two Clydesdales and one Percheron) make up this team, trained for crowd control, dealing with civil disturbances and providing a law enforcement presence at the Capitol and other state facilities in Sacramento. Notable appearances: Hollywood Christmas Parade, Los Angeles Kingdom Day Parade. Social media/website: www.chp.ca.gov. Harmony of Hope. (Phoenix Decorating Company). The City of Hope’s 2019 float weaves seemingly disparate departments, academic disciplines, research endeavors and clinicians into a compassionate, healing melody that accompanies patients on their journeys toward recovery. Monarch butterflies on the float symbolize the metamorphosis City of Hope has undergone during its 105 years to become a world-leading comprehensive cancer center and biomedical research institution. An estimated 17,737 flowers adorn the float.
An Evening with Patti LuPone and Mandy Patinkin, 8 p.m, April 26, Show tunes by Stephen Sondheim, Rodgers and Hammerstein, Andrew Lloyd Webber and more, Bing Concert Hall, 327 Lasuen St., Stanford University, $100- $250, $35 for current Stanford students, live.stanford.edu or 650-724-2464, Petty Theft: tribute to Tom Petty & The Heartbreakers, 9 p.m, April 26, Club Fox, 2209 Broadway, Redwood City, $15, 877-435-9849 or www.clubfoxrwc.com, Featprints – A Tribute to Lttle Feat (Club Fox ballet flats old navy Blues Jam), 7 p.m, April 30, Club Fox, 2209 Broadway, Redwood City, $5, 877-435-9849 or www.clubfoxrwc.com..
There are still some unsettling “Pygmalion” overtones, but the chamber musical is brighter and tighter than it was before, with three new songs and a revised book. Paul Gordon (music and lyrics) and John Caird (book), also the creators of the Tony-nominated “Jane Eyre,” certainly have a gift for steeping in the pleasures of the past, the lure of a simple time with quill pens and the delayed gratification of epistolary romance. No one gets to swipe right in this valentine to the turn of the century.
Opening night, the principals took Cranko’s intentions and shot them to the moon, Kochetkova was an almost translucently dreamy girl who startles awake, seeing Onegin, Her whole body seems to open in response, her face absorbing the world she had previously ignored as she ballet flats old navy read, and she makes us feel the force of love at first sight, We know Luiz, too–the defensively callous egotist who takes shelter from emotions in arrogance, Blanco’s Olga lets us feel both the insouciance and the shallowness of the soubrette while Gennadi, an elegant version of ballet’s man in the shadows, embodies wounded pride, making us feel the moral purpose of Lensky’s emotions..
DEAR CAROLYN. Re: Fair Fighting. Do you think political parties could take a few lessons on fighting fair?. DEAR TIMELY: Hahahahahahahahahahahahahahahahahaha. Hahaha. Ha. DEAR CAROLYN: Do you think some of your questions are fake? I’ve gotten that vibe a couple times. I didn’t really mind, though, because even if I thought the question was fake I also felt it raised an issue that really could come up for people, and you answered it well. DEAR REAL: Thank you. I think it’s impossible that I’ve done this for 20 years without publishing any fakes. I decided a long time ago not to worry about it — in part because I can’t prevent it, but also because, like you said, if it brings up an issue that’s relevant to some people, then it doesn’t matter where the question came from.